Coming from the three guys who last year blessed the screen with the hilarious Superbad, Pineapple Express is a riot start to finish, combining lots of blunt dialogue with slapstick and farce to great effect in ways which made the aforementioned creation as funny as it was. Through this fusion of solid characterisation with a ridiculous but conceivable action-packed plot, the film succeeds in creating an engagingly entertaining experience that doesn't just provide excitement and memorable characters, but also manages to tickle the funny bone just as frequently.
This is where Pineapple Express begins to take the lead in front of its predecessors, as it actually attempts to tell a compelling story with an undoubtedly overblown amount of action, but with grounded drama to bear the weight of its fabrications. It's not enlightening per se, but it's entertaining, and down to earth.
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To be sure, this isn't a hallmark drama, there are no grandeur statements and no tears are provoked from director David Gordon Green but that's what makes it lovable it's a story about two regular guys, who get into crazy shenanigans, smoke weed and crack some jokes. What results of this is a story of friendship, and while the unlikely premise of these guys not exactly getting along does seem a bit shifty, the chemistry between Rogan and Franco is superb enough to allow their characters plenty of growing. However, after Dale witnesses a murder involving some drug-dealer crimelords, the two are forced to embark on a journey that will have them at odds with each other whether they like it or not. Instead, they deal with drugs Saul is Dale's supplier, and as much as Saul would like to think of Dale as a buddy, Dale wants nothing else to do with him outside of the service he provides. Main characters Dale Denton (Seth Rogan) and Saul Silver (James Franco) may have alliterative names akin to comic book heroes, but they're certainly not of that kind. It's a combination which could have had a disastrously polarising effect, but the writers get it spot on here. Here the writers take two characters, start them off one place and take them on an adventure not just through crime, car-chases, comical fight scenes and little personal squabbles, but through themselves. Where previous instalments from this year combined the dumb with surreal through incoherent situations obviously dreamt up from people who were under the influence at the time, Pineapple Express feels silly, but not the extent where the entire feature boils down to caricature comedy. However, despite coming in late to the game, the old expression of "saving the best 'till last" seems applicable here.
So far this year we have been treated to an unusually high dosage of stoner comedies, with Pineapple Express being a late third behind the too-dumb-for-it's-own-good Strange Wilderness and the dumb-but-fun Harold & Kumar.
So while the plant obviously makes a starring role here, the focus is not primarily on it, and the movie is better off as a result. One discrepancy against it's classification as a stoner comedy however lies in that even if you're not high yourself even if you've never even been high in your life, there's still lots of fun to be had here as the jokes are broad enough in their design to apply to any ridiculous situation. There's no doubt about it, Pineapple Express is a relentlessly funny stoner movie, start to finish with little in the way of compromise telling the story of two stoners, who end up entangled within a drug conspiracy plot that threatens their lives while smoking plenty of pot along the way, this year's latest instalment to the genre is the finest example of dumb -but well delivered- comedy yet.
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